My good friend and old Navy buddy Chris Ingalls of http://www.popmatters.com joins me for another podcast as we discuss ways to beat boredom during stay-at-home, Stephen King, books, TV, the passing of Fred Willard, and much more.
Erotic romance author Marie Tuhart makes her second appearance on the Get The Knaak podcast. We discuss events and trends in the book world, how to keep yourself entertained during the COVID-19 pandemic, and much more. Repeat guests are rare for me, and Marie is definitely a fun interview.
It’s certainly an Oscars preview you don’t need, but Chris Ingalls joins me for another spirited discussion about movies, TV, books and politics.
Check out the season premiere of the Get the Knaak podcast. I can’t believe I have been hosting this podcast for four years now. My good friend and old Navy buddy Chris Ingalls of www.popmatters.com joins me to kick off a new year of great conversation.
Listen in as my good friend and old Navy buddy Chris Ingalls of www.popmatters.com joins me for some conversation about anything and everything. Thanks for listening this year everyone. Hopefully you have enjoyed the conversation and interviews. The podcast will be back in January. In the meantime, here is an hour and eight minutes of your life you’ll never get back.
My good friend and old Navy buddy Chris Ingalls of Pop Matters checks in as we discuss books, movies, TV, music, politics and everything in-between.
As you can see already from my first nine films, my tastes in horror films are eclectic. I have actually decided to reclassify a couple of my favorite movies of all-time as horror movies. You’ll see those when we get closer to Halloween. I’ve got a triple-feature of, shall we say, different films for you on this Friday night, the first Friday of October.
I don’t know why exactly Wes Craven’s name is attached to this highly underrated film. Night terrors come to life in this Laura Regan vehicle directed by Robert Harmon. A group of kids are marked as youngsters by boogeymen. Those boogeymen, who were dismissed as night terrors, come to claim the kids when they reach adulthood.
Another film that aims to be different, overacting by Marc Blucas as Regan’s character Julia’s boyfriend damn near ruins the movie, but Regan is a delight as the main character. One of my favorite short stories, The Great God Pan by M. John Harrison (inspired by Arthur Machen’s groundbreaking novella of the same name), involves a group of friends who pulled back the veil, and brought something back. This has a similar feel.
We’ve established I like different and this one is good different.
90. Mansquito or Mosquito Man
Okay, so SyFy channel has produced some clunkers over the years. Ice Spiders (okay, maybe not Ice Spiders, I like that one), Python, Python II, and a whole host of Crockzilla vs Dinocroc Debbie Gibson/Tiffany mash-ups. The idea is science gone wrong. After Gothic Horror and dark science fiction, science gone wrong is right up there for me.
Corin Nemec, who never met a role he didn’t like, stars in probably the best feature film SyFy has ever produced. That’s not saying much but the title tells you all you need to know. Matt Jordon’s character is exposed to some experimental whatevers and becomes a, you guessed it, man-sized mosquito.
Look, a good horror film doesn’t need to have a big theatrical release or even a cult following to be a bloody good gore fest. Mansquito certainly qualifies.
I just watched this one again the other night. I love this movie. Longtime movie veteran Lance Henriksen stars as Ed Harley, a simple single country dad who lives in Appalachia. When his young son is killed in a tragic accident by “city folk,” Harley seeks country vengeance and visits the local crone. Of course he does. But at what cost? The death of Harley’s son is particularly gut-wrenching and you can certainly see why he does what he does.
What Harley unleashes is truly the stuff of nightmares. Special effects and creature designer, the legendary Stan Winston, actually directed this one. The 1980s were full of slasher films and franchise players like Freddy Krueger, Jason Voorhees and Michael Myers, along with a host of other knife-wielding spree killers. The title monster is otherworldly, large, terrifying and impossible to stop. The sound design for the film alone will give you night terrors.
Henriksen has appeared in dozens of films, including installments in the Alien franchise, and aside from Bishop in Aliens, this might be his best role. Underrated and terrifying, this is a must-watch for any horror fan. I bet you didn’t know that The Big Bang Theory and Blossom star Mayim Bialik plays one of the dirt-poor Wallace kids. Now there’s a thing you know.
The countdown of My 100 Favorite Horror Films continues with a three-pack of movies that aim to be a bit, well, different.
I have never liked Ethan Hawke. Ever since Reality Bites, I don’t like him. I don’t know what it is, I can’t put my finger on it. But when I saw the trailer for Sinister, I really didn’t care who was in it, I was going to see the movie. And Hawke is good in this. Sinister reminded me of why I don’t go see scary movies by myself. Yes, it is a touch predictable, and it leaves you wondering what the hell has happened to Vincent D’Onofrio, but what I like about it is its attempt at being something different. There is a confusing plot point at the end but don’t let that get in the way of you enjoying this well-made film.
Hawke plays a true crime writer who moves his family into the murder house on which he is basing his new book. Obviously, this doesn’t sit none too well with the missus because he doesn’t bother to tell her. Before long, the family falls victim to a demon.
There are some unique elements to this one. I like the use of home movies as an inter-dimensional vehicle for the demon. There are plenty of jump scares to go along with true moments of horrific suspense. The late Fred Thompson makes one of his last screen appearances as the local sheriff. Just don’t watch this one alone. Do yourself a favor, skip the sequel.
93. Tales From the Crypt: Demon Knight
If you are anything like me then you used to watch Tales from the Crypt. I loved that show, along with Amazing Stories and Tales From the Darkside. I have always been a fan of The Twilight Zone and The Outer Limits, and Tales from the Crypt was the horror version of those great sci-fi suspense classics.
I like Billy Zane, I really do, but his shot as The Phantom didn’t play well, and in Titanic, well, let’s just say he was a dick. He gets a chance to shine in Demon Knight. A great ensemble cast opposes “The Collector.” William Sadler, CCH Pounder, Brenda Bakke, Thomas Haden Church and Jada Pinkett Smith all have prominent roles.
The opening credits feature one of my favorite songs of all-time, Hey Man Nice Shot by Filter. It is wonderfully shot and it sets the stage for the entire film. I didn’t care much for Tales From the Crypt’s other feature film entry, Bordello of Blood, despite Angie Everhart, Erika Eleniak, Dennis Miller and Corey Feldman’s best efforts. And I use that term loosely. I do like a good deadtime story.
92. The Void
The Void, originally available on Amazon Prime and later Netflix, apparently was released in theaters but I don’t remember it at my local cineplex. Jeremy Gillespie and Steven Kostanski wrote and directed this film that reminds me of movies like Lord of Illusions. There is a cult, mysterious blood-soaked victims and unspeakable evil.
The Lovecraftian overtones and themes are palpable and the film has the look and feel of something from the 1980s like From Beyond. Another film that dares to be different in an era of sparkly vamps and Paranormal Activity schlock, this taut fright fest channels the true tenets of good horror film making. Darkness, violence, mysterious figures with unknown motives, and hidden evil waiting just on other side.
Last night’s blog took the first bite out of my countdown of My 100 Favorite Horror Films. I gladly present the next three selections.
97. The Ritual
I have an affinity for horror films that focus on village superstition, folklore and folk horror, and I am not talking about M. Night Shyamalan’s The Village either. The Old Ones, the Old Gods, ancient, prehistoric gods and monsters almost forgotten, make for great nightmare fuel.
Every once in awhile, a film comes along that really surprises you. It’s better than you thought it was going to be, it flew under the radar, it was a Netflix release (good ones are rare) … something … else. The Ritual is one of those movies. A group of friends take a trip to the forest to memorialize a pal killed during a convenience store robbery only to find something is stalking them, something inconceivable. That something is worshiped and tended to by a cult of true believers.
This film is well-acted, well-written and beautifully shot. Based on the novel by Adam Nevill, David Bruckner directed. I have become a big fan of Rafe Spall. He is an underrated actor and he is excellent in this.
96. The Lair of The White Worm
The second film on the list that bends the vampire genre, much like Sleepwalkers, is The Lair of the White Worm, which is loosely based on a Bram Stoker novel.
Perhaps no other film I’ve seen plays on genre-bending concepts of the vampire mythos like Wasp Woman and The Reptile quite like The Lair of the White Worm. Universal Studios’ The Mummy is in effect a version of the 1931 Dracula, but more on that on another night. Virginal sacrifices, a giant snake, flashbacks to Roman debauchery, a young Hugh Grant, an emerging Sammi Davis, and Amanda Donohoe (with whom I happen to share a birthday) in all her pre-LA Law glory as a snake-like vampire creature. Donohoe really “vamps” it up while preying on and “enchanting” the populace of a small burg.
The plot involves a local legend, an archaeological discovery and small town folklore with Grant playing the role of the lord of the manor whose ancestor tangled with a predecessor of the title’s D’Ampton worm. Peter Capaldi, the 12th Doctor Who by the way, plays the archaeologist who discovers the fossilized skull of a previous D’Ampton worm. His cousin Lewis is a pop singer of some renown.
I personally find a lot of charm in this film. The pub band and song that tells the legend of the D’Ampton worm over the closing credits is one of the best parts of the movie. I’ll share it here.
I love telling the story of how I discovered this movie.
This film is one of the most pleasant surprises on this list. It flies so far below the radar and it is so good. Tim Daly (Wings, Storm of the Century), Kelly Preston and Rick Rossovich star in this tale of witches, covens and devil worship.
I saw this when I was in the Navy after working hours during a detachment to Naval Air Station Fallon, Nevada, in the TV lounge in the barracks and I was stunned. I had never seen anything like it. Daly and Rossovich play friends who come across a young woman (Preston) as she is being assaulted by her boyfriend. Daly’s character intervenes and before long is romantically involved with the young woman. However, nothing is as it seems.
Now, I hate Top Gun, but Rossovich redeems himself in this, never mind his guest spot on International House Hunters several years ago.
This one is hard because I don’t want to give any spoilers away. Janet Greek directed and Tracy Tormé penned the screenplay. Three’s Company’s Mrs. Roper Audra Lindley also co-stars.
Let’s try this again, shall we? I re-booted this countdown last year and only got halfway through it. Hopefully, this time I’ll make it through like the “final girl” in so many horror movies.
Anyone who knows me understands that my chosen forms of entertainment usually involve the macabre. I wrote a post for my official web site awhile back that described where the fascination with horror came from. It was Dan Curtis’ Dracula, a made for TV movie starring Jack Palance as Dracula. The first time I saw it I was four years old. Last year, I watched it for the first time in 45 years and found it to be surprisingly good.
As a published author of horror fiction, my inspiration and influences have come from books, comic books/graphic novels, TV shows and movies, especially movies.
I started this countdown several years ago as a Facebook thing and brought it to my blog in 2015. Several new films appear on the list and several didn’t make the, ahem, cut. Remember, these are my favorite horror films, not the “best.” You’ll find that I tend to lump certain franchises or original/re-makes together. Invariably, there will be more than 100 films on this countdown.
In the 1930s, prior to select showings of the titular Frankenstein, actor Edward Van Sloan would give a bit of a speech to the audience. I will borrow a line.
“Mr. Jerry Knaak feels that it would be unkind to present this countdown without a word of friendly warning … I think it will thrill you, it may shock you, it might even horrify you. So if any of you feel that you do not care to subject your nerves to such a strain, now’s your chance to, uh, well, we warned you.”
So, without further ado, here are the first three films.
100. Brides of Dracula
The follow up to Hammer Studio’s Horror of Dracula didn’t even have Dracula in it. Peter Cushing reprised his role as Van Helsing, but Christopher Lee and Dracula are absent. Instead, David Peel takes a turn as the bloodsucking Baron Meinster. The plot is absolutely ludicrous, but Hammer was trying to find their footing as a major player in the genre. The ease with which the main character falls in love with and agrees to marry the vampire antagonist is laughable at best. Martita Hunt plays Meinster’s mother and captor. She is tormented as a tragic figure who tries to keep her son’s evil from the world.
But it is a Hammer vampire film and the cinematography and rich set design make it a very watchable film. Plenty of fangs and blood. The set pieces are gorgeous, something Hammer would become known for during their run as the top horror film studio of the time.
Once again, Jimmy Sangster, Peter Bryan and Edward Percy combine on the screenplay. Hammer stalwart Terence Fisher directed. I would have this higher on the list if the plot wasn’t so ridiculous.
99. Horror of Dracula
Terence Fisher directed Christopher Lee’s first outing as Count Dracula and Peter Cushing’s first turn as Van Helsing. I do love the Hammer horror films, but this is my least favorite of the Lee Dracula films. Not because of the performances. Both actors set new standards for both characters as Lee emerged from the shadows to put his own spin on the Prince of Darkness after Bela Lugosi had set the bar in 1931. Many find him to be the definitive Dracula, or at least their favorite. Michael Gough, who would go on to play Batman’s butler Alfred Pennyworth in Tim Burton’s Batman films, also stars.
What I don’t like about this movie is the plot. It strays too far from the source material. Although Tod Browning’s Dracula in 1931 didn’t adhere to Bram Stoker’s original novel either (it follows Hamilton Deane’s stage play), this film features an all-new screenplay. Characters are mixed up or blended or omitted.
Don’t get me wrong, it is stunning to see Dracula in technicolor for the first time and Lee is commanding as the Count. The film stands on its own with Jimmy Sangster’s original screenplay but I would have liked to see a more faithful adaptation for Lee’s first turn in the cape. The funny thing is, when Dario Argento made his Dracula 3D in 2012, he used Horror of Dracula for inspiration for the screenplay and not the source novel.
I am usually not one for genre bending when it comes to vampires. However, in the opening credit sequence of the first Stephen King adaptation on this list, a slate appears that connects the origin of the vampire myth to ancient Egypt. Anne Rice explored this connection deeply in the Vampire Chronicles. As a published author of vampire fiction myself, I am fascinated by the origin of the vampire legend.
Brian Krause, Mädchen Amick (Twin Peaks, American Horror Story) and Alice Krige (Carnival Row) star in what almost plays as a dark comedy. What I find interesting is the use of cats in the folklore. The antagonists fear and can be harmed by cats, which are revered in ancient Egyptian culture. King is a master at scratching the surface of a myth or a legend, peeling back the curtain and letting you see just enough beyond the veil to terrify you. You get just enough folklore and mythology to understand the pathos of the mother and son “vampire duo.”
I enjoy this because it is corny and cheesy, but it also has a certain charm. Released in 1992, it plays more like a a solid mid-1980s horror film. Krige adds a gravitas to this, as she does in all her performances. However, Krause has a tendency to overact. Ladies, if an attractive young man in a blue Trans Am invites you to the cemetery to do some gravestone rubbings, you might want to say “no.”
The venerable Mick Garris directed this one.