Another Step Along the Way

dark-terror-book-mock.jpgI usually try to keep this blog and my novel writing endeavors separate but there always seems to be some crossover. The book creation process has so many milestones and touch points and I never seem to grow tired of them. Maybe it’ll wear off some day, but that day is not today. My latest novel, The Dark Terror, just went out for pre-order.

Let me break it down for you, at least the way I have done it.

Step 1: Write the story. I am what is commonly referred to as a “pantser.” I fly by the seat of my pants. Meaning, I don’t plot and I don’t outline. When I started The Dark Truth in 2016, I had a character and a premise in mind. It just went from there. Not outlining or using a complicated novel writing application like Scrivener did lead to some continuity errors, however.

Step 2: Editing. Lots and lots of editing. Not so much with the story, more spelling and grammar. As much as I’d like to say I have command of the English language I do still have trouble with sentence structure, word usage/choice and of course, spelling and grammar. Writing is a discipline. If you can’t spell, if you don’t know basic grammar and if you have no concept of sentence structure, then what are you doing? Funny, I can always tell the writing sessions when I had a few too many adult beverages, that’s where all the damn typos are.

22237098_10212510335852055_114300165_nStep 3: Query. I got lucky. I got a contract offer from a publisher on my first go-round. No rejections. I just had to agree to make some revisions. They weren’t unreasonable, so I added some things and re-wrote a few others and voila. You get your release date in your contract or shortly thereafter. In my case, we were able to release the first book early. Press releases go out and, once you have a release date, e-mails to bookstores for book signings go out.

Step 4: More editing.

Step 5: Cover design. This is fun. This is when it gets real. You start to see what the finished product is going to look like.

Step 6. Pre-Sale. Several weeks before publish day, the book goes up for pre-order. That’s where we are with my third book right now. The Dark Terror is now available for pre-order. I’d be remiss if I didn’t mention all the prep work that went into getting ready for this stage with the creation of a brand and a social media presence. Hopefully there have been a few interviews here and there, blogs, podcasts, radio and TV and other outlets. I’ve been lucky that way. More press releases and media advisories go out to promote what hopefully is now a book tour.

Step 7. Author copies arrive. I am anxiously awaiting my copies of The Dark Terror, which should arrive sometime this coming week. This is the moment I relish. When I first received the book of copies of The Dark Truth, I lost my mind. My words, printed, in a book. Sweet, sweet nectar, and I’m not talking about the Scotch I drink when the box arrives.

IMG_3227.PNGStep 8. Publish day. Wooohooo! Readers start getting copies of the book they pre-ordered. This is a day that is also celebrated with a dram of good Scotch. My publisher, Trifecta Publishing House, and I have hosted online Facebook parties to celebrate my book launches.

Step 9. Marketing. Lots and lots of marketing. Book signings, social media posts, paid social ads, more press releases and media advisories. Full court press on getting the word out. I am a regular Vistaprint customer. Nothing makes me feel more like a rock star than a book signing, I can tell you that.

How long does all of this take you might ask? Good question. It took 13 months to write The Dark Truth. I finished in February 2017. The book was released in November 2017. I think it took roughly six-seven months to write The Dark Descent and it was published in April of 2018. My deadline was New Year’s Day. The Dark Terror took nine months to write, my deadline was the end of October 2018, I beat it by three weeks, and the book is due out March 18. In just over three years, I have written and had three novels (and two audiobook versions) published. I didn’t even mention the production that went into those audiobooks.

Not too bad for a guy with a day job and a hefty commute.

Check out my official web site, www.jerryknaak.com, for more information about the books and how to get them.

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That Time When Dee Wallace Turned Into a Pomeranian on Live Television

Earlier in the countdown I presented three werewolf movies. That doesn’t mean that I was done with the shapeshifting lycanthropes.

MV5BZTcwZmIyNjAtMWM4Yy00YzE1LTk5YzQtNjVlY2IxNzMwNzc2XkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_70. The Howling
1981

Dee Wallace has to be the most underrated Scream Queen in the history of cinema. From Cujo to ET The Extraterrestrial, she has been bubbly blonding her way through blockbuster after horror film. She also starred in the original The Hills Have Eyes and of course, The Howling.

The Howling features an all-star cast with Patrick Macnee, John Carradine and Slim Pickens. Wallace’s TV reporter character uncovers a pack of werewolves and does her best to expose their evil to the world. In the process, she transforms into the cutest pomeranian werewolf on live television.

This film spawned a full catalog of bad sequels. Stick to the original here.

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1985

Another from the 1980s, Fright Night is an iconic vampire film starring William Ragsdale, Chris Sarandon and Amanda Bearse. Lest we forget the great Roddy McDowell. Sarandon’s Jerry Dandridge moves in next door to Charlie (Ragsdale) and his family, and Charlie immediately begins to witness strange goings on leading him to believe that Dandridge is a vampire. Charlie enlists the aid of McDowell’s late night horror movie host, Peter Vincent, to vanquish the bloodsucker next door.

Full of 1980s cheese, comic relief and memorable performances, Fright Night is one of those right of passage horror films. If someone tells you they love horror movies and they haven’t seen Fright Night, just walk away.

Sarandon is wonderful as Dandridge – handsome, charismatic and downright sadistic. McDowell is well, Roddy freaking McDowell. The remake with Colin Farrell was abysmal. Again, this is another case of leaving well enough alone.

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2003

Ah, the film that launched Kate Beckinsale’s career and a movie franchise. Beckinsale stars as Selene, a vampire “death dealer,” a soldier in a trumped up war against werewolves (lycans). Bill Nighy, Scott Speedman and Michael Sheen star. This atmospheric film has its issues. You have no idea exactly where the movie is set, somewhere in the Czech Republic if I had to hazard a guess. The genre rules get bent a bit, but director Len Wiseman makes it all work somehow.

I don’t know if I would so much call this a horror film as some kind of supernatural thriller. There are vampires and werewolves, so I suppose it qualifies. There is plenty of murder and mayhem and betrayal and blood.

The sequels are hit or miss. They aim to tell a complete story arc of the origin of the two species and the war between them and carry that into the future. You would be fine if you quit after Rise of the Lycans. Shane Brolly’s horrible overacting as Kraven damn near derails the movie. But it has plenty of redeeming qualities.

 

Nine-Pack of Horror to Get You Through the Week

LEGO Batman says he has nine-pack abs. Well, on this hump day, I have a nine-pack of horror classics (I use the term loosely) to add to my countdown of My 100 Favorite Horror Films. TCM is continuing their month-long run-up to Halloween with the films of Christopher Lee tonight and I have 1958’s Horror of Dracula on in the background as I write this. So, let’s get you caught up, shall we?

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1980

John Carpenter and Debra Hill wrote and Carpenter directed this terrifying film starring Jamie Lee Curtis and Adrienne Barbeau. I make it a habit not to give too many spoilers away in these capsules and I don’t intend to with this. There is a real feeling of foreboding and dread as the fog rolls in. Barbeau’s local radio DJ character Stevie Wayne gives a harrowing play-by-play account of the otherworldly phenomenon. Before long, it becomes apparent something(s) malevolent has/have arrived with the cloud.

If you like Carpenter and his aesthetic, and his do-it-all-himself manner of film making, this is a must-watch. Two years removed from Halloween, and two years away from The Thing, Carpenter is really stretching his legs as a storyteller during this part of his prolific career.

What I will say, is avoid the 2005 remake. For the life of me, I don’t understand why film makers try to make the monsters sympathetic. They’re monsters for crying out loud. Tragic backstory be damned. Why do we have to feel sympathy for the ghosts/goblins/vampires/ghouls/science experiments gone wrong when they start killing the local populace? I don’t give a damn why the sailors in The Fog have come back. I don’t feel sorry for them. Karma is a bitch, let’s just leave it at that. Watch the original, leave the remake in the fog where it belongs.

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1933

From 1931 – 1945, Universal Pictures enjoyed an incredible run with their horror films that continue to stand the test of time, and get remade time and time again. The Invisible Man is a masterpiece of a film directed by James Whale that gets overlooked by Universal’s stable of Gothic monsters, Dracula, the Mummy, Frankenstein and the Wolf Man. Each franchise is defined by an iconic performance by a master of his/her craft. Dracula – Bela Lugosi, Frankenstein – Boris Karloff and Elsa Lanchester, Wolf Man – Lon Chaney, Jr., the Mummy – Karloff.

It is Claude Rains who makes The Invisible Man go. He is the straw that stirs the drink as it were. Eight years before his turn as Larry Talbot’s father in The Wolf Man, Rains played the deranged scientist Dr. Jack Griffin who develops a a formula for invisibility. Rains’ depiction of Griffin’s descent into madness as a result of the not-approved-by-the-FDA human trials he conducts on himself is quite riveting and poignant.

This film, unlike the others, never did get a proper sequel or remake. And Universal just let The Invisible Man concept die on the vine while numerous sequels of The Mummy, Dracula, Frankenstein and The Wolf Man were produced, most were foisted on the public for the money and couldn’t hold a candle to Rains. It was, however, parodied brilliantly by Ed Begley, Jr., in Amazon Women on the Moon.

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1990

I love Clive Barker. This won’t be the last of his work that appears on this countdown. This one seems to be a favorite among Barker devotees, and not many others. Written and directed by Barker, Craig Sheffer and David Cronenberg star in this creature feature, in which the humans are actually worse than the creatures. Charles Haid of Hill Street Blues fame also stars.

Based on the 1988 novella, Cabal, Barker weaves a tale of an underground society of monsters and their attempt to stay hidden from the world of men. In the end, it is the men who come for the monsters. This is one film I will make an exception for when it comes to empathy for the oppressed and persecuted creatures of the night.

One of my favorite scenes involves a porcupine hybrid woman who is both tantalizing and deadly.

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1989

The late 1980s – early 1990s was a great time for a wide variety of horror films. Another Stephen King adaptation, this one reinforces the notion that maybe, just maybe, sometimes dead is better.

Dale Midkiff, Denise Crosby and Fred Gwynne (The Munsters) star in this tale of tragedy and demonic resurrection. After a couple’s young son is killed in a tragic accident, the husband and father finds a way to bring his boy back via the nearby native American burial ground. As you can imagine, this does not go well.

The movie begs the question, how far would you go to bring a deceased loved one back from the dead? Gwynne delivers an underrated performance as the next-door-neighbor who is all-to-willing to educate Midkiff’s character on the local folklore and the possibilities. A remake is in the works and it is due out next year. We’ll see, sometimes dead is better.

MV5BMTkwNDU0NTE0OV5BMl5BanBnXkFtZTgwNzAzNzQyMTI@._V1_SY1000_CR0,0,675,1000_AL_75. Jeepers Creepers
2001

Justin Long and Gina Philips star in another horror film that dares to be different. They play brother and sister who run afoul of a hungry demon on the back roads. Written and directed by Victor Salva, this film launched a bit of a franchise that explores “The Creeper’s” mythology. It follows a similar pattern of hibernation as Stephen King’s Pennywise from IT.

There are plenty of tense moments as Long and Philips try to both solve the mystery of The Creeper and try to stay out of his clutches. His? It is a a “he,” no? Eileen Brennan’s cameo as a crazy cat lady is almost wasted in this film.

The second movie in the series is watchable, but doesn’t have the, dare I say, charm of the first. I have yet to see the third film in the franchise. Jeepers Creepers is an acquired taste, much like the taste for certain body parts The Creeper acquires along the way.

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1981

Talk about an all-star cast. Not just a good ensemble cast, we’re talking about cinematic legends here – Fred Astaire, John Houseman, Douglas Fairbanks, Jr., and Melvin Douglas star opposite Alice Krige, who makes her second appearance in the countdown (Sleepwalkers).

Four gentlemen fall in love with the same woman and kill her in a tragic accident. Rather than be honest about it and report it to the authorities, they cover it up to save their prep school, or Ivy League, or whatever reputations and high-falutin’ career aspirations. Sound familiar? Krige comes back to haunt her suitors turned killers.

I have an affinity for this because it was one of the first horror films I saw when my family first got cable in the early 1980s, and it has haunted me ever since. Spoilers be damned, this is one creepy movie. And one helluva ghost story.

MV5BNDk4MDM1NTI5MV5BMl5BanBnXkFtZTgwMDkyMDc2MTE@._V1_SY1000_CR0,0,614,1000_AL_73. Phantom of the Opera
1925

Okay, let’s get something straight. The Phantom of the Opera is a F*&!ing horror movie. It’s not some stupid musical starring I’ll work for food Gerard Butler. We all like to think the Universal Horror began in 1931 with Dracula, but in 1925, Lon Chaney, than man of 1,000 faces, brought the Phantom to life and scared the living daylights out of moviegoers with one of the greatest creature reveals ever filmed.

When I was 12, I attended what was called a “magnet”school in my hometown. We had electives and I took a class that had to do with monster movies. We made stop-motion claymation films and studied the techniques the masters of horror used. I had the opportunity to take my girlfriend to a screening of the film accompanied by a live orchestra. It was a thrilling experience and it cemented (like I needed another push) my love for horror.

Lon Chaney is brilliant as the Phantom. He was originally cast to play Dracula but died before filming started and the part eventually went to Bela Lugosi.

MV5BNjUyNjU0NDE0OV5BMl5BanBnXkFtZTYwNzcwMzg3._V1_72. House of 1,000 Corpses and The Devil’s Rejects
2003, 2005

Once again, I give you a bonus. Ah, the saga of the Firefly family. Deranged, backwoods killers in the vein of Tobe Hooper’s The Texas Chainsaw Massacre, the Firefly family lures unsuspecting travelers and legend hunters into their lair and visit unspeakable horrors on their unassuming guests.

Sid Haig, Bill Mosely, and writer/director Rob Zombie’s wife Sheri Moon Zombie make up the core of the Firefly clan. Leslie Easterbrook replaces Karen Black (House of 1,000 Corpses) as Mother Firefly in Rejects.

Zombie creates quite the dark, gritty, depraved universe with two films that could work independently of each other. House plays very much like Chainsaw, and Rejects, well, the Fireflys become a sort of rag-tag band of antiheroes we’re supposed to root for. Perhaps we’ll get some closure in the long-awaited third film in the franchise.

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1920

You gotta love German expressionism. The set pieces alone in this silent masterpiece are reason enough to watch it. You’ll also get an education. I love words (I have the best words). I had occasion to drop “Scholomance” in my second novel. The Cabinet of Dr. Caligari taught me somnambulist – sleepwalker.

In the film, Dr. Caligari is a bit of a sideshow showman and he uses his charge, Cesare (played by Conrad Veidt), to commit murder at his behest, or does he? This is an early example of the unreliable narrator concept. It’s hard to get your head around that part of it because it is a silent film. This movie inspired a lot of early Gothic horror, and definitely had influence over F.W. Murnau who made Nosferatu two years later.

Veidt went on to star in The Man Who Laughs (1928), which is widely considered the model and inspiration for the look of iconic Batman villain, The Joker. Veidt also played a significant role in 1942’s film noir classic, Casablanca.

 

A Six-Pack of Horror Films on an October Sunday

I took yesterday as a college football/kid’s flag football game day so you get a six-pack of my favorite horror films for today’s blog entry. These six films are admittedly all over the place as far as genre, theme, and tone. But they are on the list for a reason.

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2002

I don’t know why exactly Wes Craven’s name is attached to this highly underrated film. Night terrors come to life in this Laura Regan vehicle directed by Robert Harmon. A group of kids are marked as youngsters by boogey men. Those boogey men, who were dismissed as night terrors, come to claim the kids when they become adults.

Another film that aims to be different, overacting by Marc Blucas damn near ruins the movie, but Regan is a delight as the main character, Julia. One of my favorite short stories, The Great God Pan by M. John Harrison (inspired by Arthur Machen’s groundbreaking novella of the same name), involves a group of friends who pulled back the veil, and brought something back. This has a similar feel.

We’ve established I like different and this one is good different.

MV5BMTczMDI5MzM3Ml5BMl5BanBnXkFtZTcwOTcxODgyMQ@@._V1_84. Mansquito or Mosquito Man
2005

Okay, so SyFy channel has produced some clunkers over the years. Ice Spiders, Python, Python II, and a whole host of Crockzilla vs Dinocroc Debbie Gibson/Tiffany mash-ups. The idea is science gone wrong. After Gothic Horror and dark science fiction, science gone wrong is right up there for me.

Corin Nemec, who never met a role he didn’t like, stars in probably the best feature film SyFy has ever produced. That’s not saying much but the title tells you all you need to know. Matt Jordon’s character is exposed to some experimental whatevers and becomes a, you guessed it, man-sized mosquito.

Look, a good horror film doesn’t need to have a big theatrical release or even a cult following to be a bloody good gore fest. Mansquito certainly qualifies.

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1997

We all believe that a genie is a good thing that grants wishes after you free him/her from his/her lamp. Well, not in the horror movie genre. This is one where the folklore is horribly under served. We know more about how to resurrect a mummy than we do the history of genies. Wishmaster taps into the dark side of that history and mythology.

Andrew Divoff tries his best to create an iconic bad guy as the Djinn, a truly evil genie from whom you really don’t want wishes granted. There’s always a twist and they usually cost you your soul. His chilling voice delivers the command that almost makes the movie, “Make your wishes.”

The sequels are hit or miss, but the first film is an interesting entry in the horror movie catalog thanks to Divoff’s performance. Tammy Lauren stars as the protagonist who matches wits with the Djinn.

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2000

This is the movie that introduced Vin Diesel as an action star to be reckoned with, I’m not entirely sure that’s a good thing. This is a film I had to watch more than once before it really hooked me. Diesel is excellent as Riddick, Cole Hauser turns in his best performance as a bounty hunter, and Radha Mitchell makes her mark. Keith David also stars.

A spaceship crashes on a remote planet inhabited by light-sensitive baddies created by creature designer Patrick Tatopoulos (Godzilla 1998). The planet is plunged into darkness because of a lengthy total eclipse and the survivors of the crash have to band together as the indigenous flying monsters are unleashed.

This film was to launch the Riddick franchise of science fiction adventure films. This is the best of the three. I like this one because of the unique creatures and the human conflict among the people who find themselves relying on a career criminal and murderer for their very survival.

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1997

Most of tonight’s films are from roughly the same era. Horror was trying to find its way in the late 1990s in the wake of movies like Scream. Another science-gone-wrong film, Mimic involves altruistic scientists trying to solve a children-killing plague and accidently create six-foot-tall killer cockroaches in the process.

An ensemble cast including Mira Sorvino, Josh Brolin, Charles S. Dutton, Jeremy Northam, Giancarlo Giannini, and F. Murray Abraham pace this dark, gritty creature feature.

Of course, there are sequels and they are not very good. Stick with the original. It’s plenty gory and gooey.

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1997

Another from 1997, and instead of Mira Sorvino, it’s Penelope Ann Miller this time. Science mixes with jungle tribe folklore and mythology as an ancient creature is unleashed on unsuspecting museum-goers in Chicago. Potions and elixirs concocted from native plants take center stage as Miller and Tom Sizemore’s characters try to solve the mystery and slay the beast.

Now, I really like Tom Sizemore. It’s too bad that his personal life has been such a mess over the years. I think he is at his best in roles like this, a cop or a government agent, skeptical, wisecracking, but ultimately heroic. Miller has appeared in all kinds of productions throughout her career, and this appears to be the only horror film she’s done.

Linda Hunt and James Whitmore also star in yet another underrated horror movie.

Vampires and Mobsters, Throwback to 80s Horror and Hillbilly Justice

After last night’s werewolf theme, it’s back to mashing up the styles. If you can’t tell already, I like horror films that dare to be different. Now, the genre-bending aside, if the film at least tries to adhere to the rules and mythology of the genre, I’m usually okay with it. I am a fan of H.P. Lovecraft, specifically the Cthulhu mythos. One of the films tonight has Lovecraftian overtones and themes. I have chosen a unique vampire film for tonight as well and a good old-fashioned creature feature straight from the backwoods.

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1992

Directed by John Landis, Innocent Blood dares to be a different kind of vampire film. The story focuses on vampire Marie, played by Anne Parillaud, and a cop played by Anthony LaPaglia. Our girl Marie runs afoul of some mobsters during her nocturnal feeding. Robert Loggia, Don Rickles, Tony Lip, Kim Coates, and a host of other mob film veterans are conscripted by Loggia’s character who has been turned into a vampire.

It’s fun, it’s campy, it’s different, it doesn’t take itself too seriously. The film adheres to many of the familiar vampire tropes and Parillaud is delightful as Marie.

You almost expect an appearance by Triumph the Comic Insult Dog as this plays more like a black comedy than a horror film. It’s like Goodfellas, only with vampires.

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1988

Longtime movie veteran Lance Henriksen stars as Ed Harley, a simple single country dad who lives in Appalachia. When his young son is killed in a tragic accident by city folk, Harley seeks country vengeance and visits the local crone. Of course he does. But at what cost?

What Harley unleashes is the stuff of nightmares. The 1980s were full of slasher films and franchise players like Freddy Krueger, Jason Voorhees and Michael Myers, along with a host of other knife-wielding spree killers. The title monster is otherworldly, large and terrifying and impossible to stop. The sound design for the film alone will give you night terrors.

Henriksen has appeared in dozens of films, including installments in the Alien franchise, and aside from Bishop in Aliens, this might be his best role. Underrated and terrifying, this is a must-watch for any horror fan.

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2016

This one is new to the countdown. The Void, originally available on Amazon Prime and later Netflix, apparently was released in theaters but I don’t remember it at my local cineplex. Jeremy Gillespie and Steven Kostanski wrote and directed this film that reminds me of movies like Lord of Illusions. There is a cult, mysterious blood-soaked victims and unspeakable evil.

The Lovecraftian overtones and themes are palpable and the film has the look and feel of something from the 1980s like From Beyond. Another film that dares to be different in an era of sparkly vamps and Paranormal Activity schlock, this taut fright fest channels the true tenets of good horror film making. Darkness, violence, mysterious figures with unknown motives, and hidden evil waiting just on other side.

Like The Ritual, this is one I have to watch again and I am sure will eventually move up this list.

Werewolves

The werewolf genre is under represented when it comes to good films. However, there a handful of really good ones. The best of the bunch will be included later on in the countdown but I will present some tonight. You won’t see some of the bad ones like Skinwalkers, the re-make of The Wolf Man with Benicio Del Toro, or the later Howling sequels. My problem with The Wolf Man with Del Toro was that it conflated Lon Chaney, Jr.’s seminal role with Henry Hull’s turn in Werewolf of London. It took Hull’s origin story and mashed it up with Chaney’s Larry Talbot story and made one big hairy mess.

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1961

Most of the younger generation’s introduction to Oliver Reed came via 2000’s Gladiator as he portrayed Proximo in his last on screen performance. He died before the film’s release. This legendary actor’s performance as Leon in Hammer’s The Curse of the Werewolf is obviously my favorite performance of his.

In the late 1950s, Hammer Studios decided to re-invent Universal Horror, with re-makes and re-boots of Frankenstein, Dracula and The Mummy. The effort would not have been complete without a werewolf film. Again, I am not one for genre-bending, however, this film, directed by Terence Fisher, dares to be different and that’s one of the things I like about it. John Landis borrows heavily from this movie for 1981’s American Werewolf in London.

The make-up effects alone make this movie worth the watch. It is set in Spain, another element that sets it apart from other werewolf films.

MV5BMTg1NTg3OTI4N15BMl5BanBnXkFtZTcwNDAxNDYwNQ@@._V1_SY1000_CR0,0,672,1000_AL_90. Ginger Snaps, Ginger Snaps 2: Unleashed and Ginger Snaps Back: The Beginning
2000, 2004, 2004

See, this is how I get more than 100 films on my list. I lump these three together because, well, the sequel to the original film wasn’t all that great. The first movie, Ginger Snaps, had cult classic written all over it. Katharine Isabelle and Emily Perkins star in all three installments. Isabelle plays the title role and she is quite good as the Ginger who snaps. The plays on words, the double entendres, the 1980s horror aesthetic all make for good campy, bloody fun.

Ginger Snaps 2 plays as a straight sequel to the first and Perkins’ character, Ginger’s sister, goes off the rails for me and that’s where the movie loses me. Ginger Snaps Back is more of an origin story of sorts. The relationship between the two sisters is more akin to the first film and that why I think it works better.

As far as werewolf films go, you could do a lot worse than this triumvirate. Or you could skip 2 and just make it a double-feature.

MV5BZGJlMzk1ODctYzdjMi00ZGI3LWE3YjgtNjY2N2FiNzQzZTMwL2ltYWdlL2ltYWdlXkEyXkFqcGdeQXVyMjI4MjA5MzA@._V1_SY1000_SX655_AL_89. The Beast Must Die
1974

This film is the cause of some division in the Hammer Horror fan community. There are those of us who love the film and there are plenty who despise it. I think it is different, unusual and unique in the genre. Calvin Lockhart, who goes on to play King Willie in Predator 2, plays a wealthy big game hunter who decides that werewolf is the ultimate prey.

An great ensemble cast is featured in this film, including Peter Cushing, Michael Gambon (Alfred in the Tim Burton Batman films), and Charles Gray (Rocky Horror Picture Show). The movie includes some audience participation elements that some find off-putting. I think it adds to the film’s charm.

I grew up watching Commander USA’s Groovy Movies on the USA Network. Every Saturday afternoon, this loony tune in a knockoff Captain America costume and a trench coat would introduce creature features. That’s how I was first made aware of films like The Beast Must Die and I am forever grateful. It also explains a lot.

Newer Films with Potential and a Unique Take on Vampires

Last night I kicked off the reboot of My 100 Favorite Horror Films with a couple of Hammer Horror vampire classics and a newer film I like very much. Tonight, the countdown continues with two relatively new films and a movie that brought a unique perspective to vampire lore and stories. Different is the theme for this evening, but you won’t see It Follows anywhere on this countdown. What a terrible disappointment that was.

There was a time when numerous films came out that sure looked and sounded like vampire movies, but the antagonist was something … else. Roger Corman’s Wasp Woman character had vampiric tendencies, as did Hammer’s The Reptile.

MV5BY2NiNTkzN2YtY2IyOC00NjQwLWIyYTItYzc0OWIxMzc4YTBlXkEyXkFqcGdeQXVyMTQxNzMzNDI@._V1_SY1000_CR0,0,674,1000_AL_97. The Lair of The White Worm
1988

Perhaps no other film I’ve seen plays on these concepts like Wasp Woman and The Reptile quite like The Lair of the White Worm. Virginal sacrifices, a giant snake, flashbacks to Roman debauchery, a young Hugh Grant, an emerging Sammi Davis, and Amanda Donohoe (with whom I happen to share a birthday) in all her pre-LA Law lesbian lawyer glory as a snake-like vampire creature. Donohoe really vamps it up while preying on the populace of a small burg.

The plot involves a local legend and folklore with Grant playing the role of a lord whose ancestor tangled with a predecessor of the title’s D’Ampton worm.

I personally find a lot of charm in this film. It has been awhile since I’ve seen it and it is time to view it again. The pub band and song that tells the legend of the D’Ampton worm is one of the best parts of the movie. I’ll share it here.

96. Sinister
2012

I have never liked Ethan Hawke. Ever since Reality Bites, I don’t like him. I don’t know what it is, I can’t put my finger on it. But when I saw the trailer for Sinister, I really didn’t care who was in it, I was going to see the movie. And Hawke is good in this. Sinister reminded me of why I don’t go see scary movies by myself. Yes, it is a touch predictable, and it leaves you wondering what the hell has happened to Vincent D’Onofrio, but what I like about it is its attempt at being something different. There is a confusing plot point at the end but don’t let that get in the way of you enjoying this well-made film.

Hawke plays a true crime writer who moves his family into the murder house on which he is basing his new book. Obviously, this doesn’t sit none too well with the missus. Before long, the family falls victim to a demon.

There are some unique elements to this one. I like the use of home movies as an inter-dimensional vehicle for the demon. There are plenty of jump scares to go along with true moments of horrific suspense. The late Fred Thompson makes one of his last screen appearances as the local sheriff. Just don’t watch this one alone.

MV5BMTUyNzkwMzAxOF5BMl5BanBnXkFtZTgwMzc1OTk1NjE@._V1_SY1000_SX675_AL_95. The Witch, or The VVitch: A New England Folktale
2015

I really wanted to love this movie. Hell, I struggled to like it as first. I had to watch it more than once. This was on my radar early on. A24 studios is really trying to carve out a niche and this was almost a case of the trailer being better than the movie. Set in the 1600s, the dialogue is thick and hard to navigate, as is the plot at times. It is beautifully shot if you enjoy deep dark woods and ominous gray skies.

The pace is what killed me. It is a slow burn, and I mean a slooooooooow burn. Anya Taylor-Joy, Morgan and Split, plays what ends up becoming the main character. She does a wonderful job portraying a descent from innocence, purity and piety into desire, temptation, sin and evil. However, there is a little too much telling and not enough showing during key moments.

I do love the setting, the atmosphere, the aesthetic. It is a dark and gritty film and I love all the things that it is trying to be. Ralph Ineson’s gravelly voice and dogged determination to maintain the attempt at period-accurate dialogue is painful to understand at times. But there are witches and there is plenty of witchery afoot. If you want something different, this might be the film for you.

Another Step in the Writing Journey

TheDarkDescent2_850I will never get tired of the milestones in my journey as a novelist. From first deciding to attempt a novel-length story, the query process, the editing and cover design to cover unveil, pre-sale and publication day – every announcement carries with it the same measure of excitement. Every time I check off a task or post that accomplishment to social media, I do so with the same fervor.

I finished the principle writing for The Dark Descent the first week of December 2017. After a few weeks of reading it over and editing, I submitted it to my publisher, Trifecta Publishing House, on deadline. The next steps include cover design. Last night, I approved the final cover design for The Dark Descent, the sequel to my debut novel, The Dark Truth. The Dark Descent is Book Two – The Dark Passage Series. I am under contract for three books in this series, and there just might be a fourth.

The Dark Truth went on sale Nov. 20, 2017, and The Dark Descent is due out in April 2018. The third in the series, The Dark Terror is due out February 2019.

I do hope you like the cover, and I hope you buy and enjoy the books as much I enjoy writing them. I have a lot more stories to tell.

 

 

Zombies and Vampires and Authors, Oh My!

Fellow Trifecta Publishing House label mate Mark London Williams joins me on the latest edition of the Get the Knaak podcast. We discuss all manner of undead creatures, his new book, Max Random and the Zombie 500, and my new book, The Dark Truth. And we let you know how to attend our Facebook book release party. Both books drop Monday, and our party is Monday too. You can order both on Amazon.