The countdown of My 100 Favorite Horror Films continues with a three-pack of movies that aim to be a bit, well, different.
I have never liked Ethan Hawke. Ever since Reality Bites, I don’t like him. I don’t know what it is, I can’t put my finger on it. But when I saw the trailer for Sinister, I really didn’t care who was in it, I was going to see the movie. And Hawke is good in this. Sinister reminded me of why I don’t go see scary movies by myself. Yes, it is a touch predictable, and it leaves you wondering what the hell has happened to Vincent D’Onofrio, but what I like about it is its attempt at being something different. There is a confusing plot point at the end but don’t let that get in the way of you enjoying this well-made film.
Hawke plays a true crime writer who moves his family into the murder house on which he is basing his new book. Obviously, this doesn’t sit none too well with the missus because he doesn’t bother to tell her. Before long, the family falls victim to a demon.
There are some unique elements to this one. I like the use of home movies as an inter-dimensional vehicle for the demon. There are plenty of jump scares to go along with true moments of horrific suspense. The late Fred Thompson makes one of his last screen appearances as the local sheriff. Just don’t watch this one alone. Do yourself a favor, skip the sequel.
93. Tales From the Crypt: Demon Knight
If you are anything like me then you used to watch Tales from the Crypt. I loved that show, along with Amazing Stories and Tales From the Darkside. I have always been a fan of The Twilight Zone and The Outer Limits, and Tales from the Crypt was the horror version of those great sci-fi suspense classics.
I like Billy Zane, I really do, but his shot as The Phantom didn’t play well, and in Titanic, well, let’s just say he was a dick. He gets a chance to shine in Demon Knight. A great ensemble cast opposes “The Collector.” William Sadler, CCH Pounder, Brenda Bakke, Thomas Haden Church and Jada Pinkett Smith all have prominent roles.
The opening credits feature one of my favorite songs of all-time, Hey Man Nice Shot by Filter. It is wonderfully shot and it sets the stage for the entire film. I didn’t care much for Tales From the Crypt’s other feature film entry, Bordello of Blood, despite Angie Everhart, Erika Eleniak, Dennis Miller and Corey Feldman’s best efforts. And I use that term loosely. I do like a good deadtime story.
92. The Void
The Void, originally available on Amazon Prime and later Netflix, apparently was released in theaters but I don’t remember it at my local cineplex. Jeremy Gillespie and Steven Kostanski wrote and directed this film that reminds me of movies like Lord of Illusions. There is a cult, mysterious blood-soaked victims and unspeakable evil.
The Lovecraftian overtones and themes are palpable and the film has the look and feel of something from the 1980s like From Beyond. Another film that dares to be different in an era of sparkly vamps and Paranormal Activity schlock, this taut fright fest channels the true tenets of good horror film making. Darkness, violence, mysterious figures with unknown motives, and hidden evil waiting just on other side.