I really hate it when life or fatigue get in the way of posting this countdown on a daily basis. Last night, I had the occasion to watch The Limehouse Golem with Bill Nighy and a film called The Apostle with Michael Sheen (Underworld franchise). Let’s just say although watchable, these two won’t be making the list.
In February 2017, I finished my first novel, The Dark Truth. I may have been influenced as a horror novelist more by the films of the genre than the literature. From the birth of horror cinema with Universal to the lush technicolor of Hammer Studios, these movies have formed the foundation of my storytelling and my taste in entertainment.
The countdown continues.
67. Countess Dracula
Another Hammer film of this era with “Dracula” in the title that was sans Dracula. Horror queen Ingrid Pitt stars as Countess Eilsabeth, a crone who can make herself young by bathing in the blood of the local maidens. Very much based on Elisabeth Bathory, who allegedly killed or had killed more than 600 young girls for this very purpose.
Pitt is fantastic in this role. Her sensuality mixed with the pathos of the character almost make her sympathetic. But her double-crossing, bloodthirsty nature wins out and she gets what she deserves in the end.
This is another lush, colorful Hammer Horror production and Pitt definitely makes it go.
66. The Vampire Lovers
A year before Countess Dracula, Ingrid Pitt starred in The Vampire Lovers. One of the vampire stories that has influenced me is Carmilla by Sheridan Le Fanu. Hammer Films created a story arc based on Le Fanu’s novella. The Vampire Lovers is the best of the Karnstein bunch, mainly because of Pitt.
Pitt plays Carmilla/Mircalla, Marcilla, (it’s always an anagram for Carmilla), a vampire who terrorizes the local populace, usually young girls. Peter Cushing stars as a, you guessed it, vampire hunter. Okay, that’s a stretch. That’s not what he starts out as, but that is what he becomes along the way.
As much as I love Hammer’s Dracula films with Christopher Lee, I did enjoy it when they went off the rails a bit and used other source material or came up with original ideas.
65. Captain Kronos: Vampire Hunter
This was another one of those movies I saw on a Saturday afternoon thanks to Commander USA’s Groovy Movies on USA Network. Horst Janson stars in the title role. His swashbuckling vampire slaying runs him afoul of Karnstein descendants.
Caroline Munro also stars in this rollicking adventure. More than one vampire meets their demise at the pointy end of Kronos’ sword. Another example of an original concept, Kronos would go on to influence numerous other films. He was refreshing after years of Peter Cushing as Van Helsing. Not that Cushing was bad, it was simply a case of needing fresh ideas, fresh blood if you will.
I recently rediscovered this movie and I had forgotten how much I enjoyed it.
64. The Twins of Evil
Are you sensing a theme for today yet? More Hammer Horror. The Twins of Evil does have Peter Cushing, but not in a role you’d expect. He plays a religious zealot convinced that witchcraft is the scourge of his community. When his voluptuous twin nieces come to live with him, they fall prey to a vampire.
Played by the Collinson twins (Mary and Madeleine), Frieda and Maria are of two minds when it comes to Count Karnstein. You would think that blood was thicker than water when it came to the twins, but you’d be wrong.
This is an interesting role for Cushing and he plays it well. The Collinson twins were Playmates of the Month for October 1970.
63. Satantic Rites of Dracula
Hammer got the band back together for a few more Dracula films with Christopher Lee and Peter Cushing. Cushing plays a descendant of Van Helsing and he now has not match wits with the immortal bloodsucker. Joanna Lumley stars as Jessica Van Helsing. Quite a few horror pictures in the late 1960s – early 1970s focused on Satanism and devil worship.
This one brings Dracula into the modern era as Scotland Yard gets involved in the fight against the legendary and infamous vampire who now finally appears to have some kind of end game.
Many vampire films up to this point, regardless of studio, were period pieces set in Victorian times. The fight between good and evil is brought into the bright lights of modern London in this one as the Lee/Cushing franchise winds down.
62. Dracula: Prince of Darkness
I watched this again the other night. Two married couples on vacation get adventurous and end up at Castle Dracula. Christopher Lee, who doesn’t deliver one line of dialog in the entire movie, needs to be reconstituted by his servant, Klove. How does he do this you ask? With the blood of one of the travelers of course.
Lee is particularly menacing as Dracula in this because of the lack of dialog. He uses his eyes and facial expressions to convey his malevolent message. Suzan Farmer and Barbara Shelley star as Dracula’s female victims.
The story takes place in a vacuum despite the appearance of Father Sandor who chastises the townsfolk for continuing to believe in the local superstitions after Dracula’s supposed demise.
61. Taste the Blood of Dracula
More freeze-dried Dracula. But this time, a trio of gentlemen thrill-seekers get bored with their run-of-the-mill debauchery and fall in with broke-ass Lord Courtley. Courtley convinces them to purchase the dried blood of Dracula and participate in a ritual to bring the count back to life. The gentlemen panic and kill Courtley, but not before Dracula is resurrected.
Linda Hayden stars as Alice, the daughter of the leader of the trio of gentlemen. Dracula takes his revenge on those who killed Courtley, for whom he has an affinity for thanks to the resurrection.
This has to be my favorite of all of the Hammer Dracula films, and probably all of Hammer Horror.
60. Dracula Has Risen from the Grave
Christopher Lee’s Dracula always seems to be out for revenge for some reason or another. In this film, Dracula seeks retribution for the exorcism of his castle by the regional monsignor. He turns a local priest to his cause indicating a level of corruption we have yet to see from the count.
One of the things I find interesting about the Hammer Dracula films, and perhaps it starts with Bram Stoker’s novel, is how Dracula has the balls to hide right under the noses of his would-be dispatchers. In the novel, he moves in next door to his intended victims. In Horror of Dracula, he takes up residence in the basement of the Holmwoods. In this, he invades the monsignor’s home and community.
Rupert Davies stars as the monsignor as Dracula sets out to claim his niece, Maria, played by Veronica Carlson.
I didn’t care for Scars of Dracula, Dracula A.D. 1972 or the abysmal Legend of the Seven Golden Vampires. Vampire Circus could very well fit right here but it has been some time since I’ve seen it from beginning to end and I need to before I can accurately assess its likability.
Now I can settle in for tonight’s offering of mummy movies from Turner Classic Movies as their run-up to Halloween continues.